Hello Readers!
We are so excited to introduce you to a new title
coming February 2018 from Feiwel & Friends/Macmillan!
I Stop Somewhere by T.E. Carter is described as THE LOVELY BONES
meets ALL THE RAGE. Got your attention yet?
Here's what readers have to say:
“an unputdownable mystery. Don't miss it.” - Hayley Chewins – Author
“Visceral with both rage and tenderness and impossible to put down.” – Amelinda – Goodreads Reviewer
“unapologetic and gorgeous and raw” – Rachel Solomon – Author
“powerful and profound and makes you think” – Amanda Searcy - Author
Pre-order your copy today, and don't miss out on this upcoming title from Macmillan!
Feed your curiosity and check out the excerpt below.
Be sure to enter the giveaway found at the end of the post!
Be sure to enter the giveaway found at the end of the post!
THE LOVELY BONES meets ALL THE RAGE in a searing, heartbreaking contemporary story of a lost teenager, and the town she leaves behind.Ellie Frias disappeared long before she vanished.Tormented throughout middle school, Ellie begins her freshman year with a new look: she doesn’t need to be popular; she just needs to blend in with the wallpaper.But then the unthinkable happens and Ellie is trapped after a brutal assault. She wasn't the first victim and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.The problem is, no one searches for a girl they never noticed in the first place.TE Carter’s stirring and visceral debut not only discusses and dismantles rape culture but also makes you slow down and think about what it is to be human.
I Stop Somewhere by T.E. Carter
Publication Date: February 27, 2017
Publisher: Feiwel & Friends
Publication Date: February 27, 2017
Publisher: Feiwel & Friends
But now, winter was trying to force a comeback. Everyone outside stood looking at the pool, wondering what happened. I was shivering, wearing a skirt and thin shirt I’d borrowed from Kate when spring was still a promise.
I saw him from the periphery. From the in-between where the people inside faded into the background, but the people outside were only figures in the night. It made sense; I was a periphery girl.
“Hey,” I said to his back.
When he turned to look at me, I swear the light from the porch surrounded him. But I think I made that up. I think I want to remember him that way. I want to believe there was something that made him special. I want to believe that loneliness doesn’t just mess with our hearts.
“Ellie! You came,” Caleb said.
“I said I would.”
“I know. I wasn’t sure, though. I worried. You’re late.”
I’d walked to the party, after telling my dad I was going to a friend’s. He wouldn’t have stopped me from going to Gina Lynn’s. I didn’t have other friends, so it wouldn’t have made a difference if I’d said her name. But, for some reason, I lied. I lied and I don’t know why I did.
“Yeah, well, I was doing things.”
He laughed. “Mysterious things. Of course. I’d expect nothing less from my Elusive Ellie.”
My. I heard it. The claim he laid on me. I smiled at the word.
He moved closer and I stepped back. It was automatic. Since earlier in the week, by my locker, I hadn’t stopped thinking about the possibility. But now that he was close again, I was scared. I was afraid of the way I knew I’d hurt if he waited months to talk to me again. I didn’t want to fall for a guy just because he’d smiled at me and said my name a few times. I was afraid of what would happen if there was more to it than that, but I was also afraid of how I’d feel if there wasn’t.
“I don’t think I’m supposed to be here,” I said.
I’d always imagined being wanted. Of someone loving me. Choosing me. But here was this boy and if he kissed me, I knew I’d always worry about going back to not being wanted.
The Setting of I Stop Somewhere
When asked about how I choose a
setting, it’s hard to answer that exactly. For me, setting is as much a
character as the characters themselves. Every story is affected by place and my
favorite books include an immersive sense of place within them. When people
talk about world building, they’re often thinking fantasy and science fiction,
but writers in every genre do a great deal of world building. Whether it’s
pulling from an actual place or taking features from real places and turning
them into somewhere new, there’s still a process to creating the where and when
of a story.
For STOP SOMEWHERE, place was a
major part of the story. It’s set in a fictional town in New York called Hollow
Oaks. A town in that strange area caught between Upstate and Western NY. I
chose that area because the story is also about economic depression and sadly,
New York is one of the states in the Northeast that has been affected by the
mortgage crisis and recession the worst.
I also knew, as a native New
Englander, that my story had to be in a place with seasons. Some people say
they don’t care about weather in a story, but when you live in a place like New
England, the weather is a story.
Seasons create mood and they change people. This is so true in the Northeast.
In mid-July, when the sun’s up and the day lasts forever and you can smell
someone’s grill going and the ice cream truck is filling the air with its
innocent medley, life feels like an opportunity. But come January, as you trek
through 14 inches of snow and it’s dark when you leave and when you get home
and all you hear and see is silence and darkness, it’s hard to think spring is
ever going to happen again. This plays a significant role in my stories,
because when you live in this kind of emotionally charged and ever changing
place, you start to feel like people mimic seasons themselves.
Hollow Oaks could be any town in
theory, but it’s also its unique place and by being so, it has all the elements
I needed for the story to work as I wanted it to work. There used to be
factories, but over time, they stopped making things at prices people want to
pay, and now they’re abandoned. The people who worked there couldn’t afford
their homes anymore and now the town is full of empty houses – zombie houses,
as they’re called in the news. Abandoned properties where people couldn’t pay
the mortgage, but the banks determined weren’t worth the investment in the
foreclosure process.
This sets up a power dynamic that
allows some people to get away with things they normally couldn’t. Because for
the average person, it’s easier to look away if the houses on both sides of
yours aren’t rotting. You don’t ask too many questions about the person or
people who keep your neighborhood looking pleasant.
Plus there’s winter. The endless
despair of long winters that people who live in places with long winters know
so well. All of these things culminate in a town that is so burdened that it is
destined to break.
My second novel, ALL WE COULD
HAVE BEEN (Winter 2019) also deals with poverty and seasons, but differently
and therefore, the setting changes. I think when you live somewhere your whole
life, it becomes a part of who you are. New England and the Northeast provide
so much inspiration – from the beautiful and historic villages to the natural
wonders to the sad and broken parts that we don’t know how to keep whole. It’s
a treasure for contemporary authors, because we are surrounded by so many
stories in the people who live here, too.
TE Carter was born in New England and has lived in New England for pretty much her entire life. Throughout her career, she’s done a lot of things, although her passion has always been writing. When she’s not writing, she can generally be found reading classic literature, obsessing over Game of Thrones (she’s one hundred percent Team Lannister), playing Xbox, organizing her comic collection, or binge watching baking competitions. She continues to live in New England with her husband and their two cats.
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