“Welcome to the City Unspoken, where Gods and Mortals come to die.
Contrary to popular wisdom, death is not the end, nor is it a passage to some transcendent afterlife. Those who die merely awake as themselves on one of a million worlds, where they are fated to live until they die again, and wake up somewhere new. All are born only once, but die many times . . . until they come at last to the City Unspoken, where the gateway to True Death can be found.
Wayfarers and pilgrims are drawn to the City, which is home to murderous aristocrats, disguised gods and goddesses, a sadistic faerie princess, immortal prostitutes and queens, a captive angel, gangs of feral Death Boys and Charnel Girls . . . and one very confused New Yorker.
Late of Manhattan, Cooper finds himself in a City that is not what it once was. The gateway to True Death is failing, so that the City is becoming overrun by the Dying, who clot its byzantine streets and alleys . . . and a spreading madness threatens to engulf the entire metaverse.
Richly imaginative, David Edison’s The Waking Engine is a stunning debut by a major new talent.”
“Eric Albright is a twenty-six-year-old journalist living in London. That is to say he would be a journalist if he got off his backside. But this luckless slacker isn’t all bad—he has a soft spot for his sometimes friend Stuart Casey, the homeless old drunk who mostly lives under the railway bridge near his flat. Eric is willing to let his life just drift by…until the day a small red door appears on the graffiti-covered wall of the bridge, and a gang of strange-looking people—Eric’s pretty sure one of them is a giant—dash out of the door and rob the nearby newsagent. From that day on Eric and Case haunt the arch, waiting for the door to reappear.
When it does, both Eric and Case choose to go through…to the land of Levaal. A place where a mountain-sized dragon with the powers of a god lies sleeping beneath a great white castle. In the castle the sinister Lord Vous rules with an iron fist, and the Project, designed to effect his transformation into an immortal spirit, nears completion. But Vous’s growing madness is close to consuming him, together with his fear of an imaginary being named Shadow. And soon Eric may lend substance to that fear. An impossibly vast wall divides Levall, and no one has ever seen what lies beyond. Eric and Casey are called Pilgrims, and may have powers that no one in either world yet understands, and soon the wall may be broken. What will enter from the other side?
Pilgrims is no ordinary alternate-world fantasy; with this first volume in The Pendulum Trilogy, Will Elliott’s brilliantly subversive imagination twists the conventions of the alternate-world fantasy genre, providing an unforgettable visionary experience.”
When it does, both Eric and Case choose to go through…to the land of Levaal. A place where a mountain-sized dragon with the powers of a god lies sleeping beneath a great white castle. In the castle the sinister Lord Vous rules with an iron fist, and the Project, designed to effect his transformation into an immortal spirit, nears completion. But Vous’s growing madness is close to consuming him, together with his fear of an imaginary being named Shadow. And soon Eric may lend substance to that fear. An impossibly vast wall divides Levall, and no one has ever seen what lies beyond. Eric and Casey are called Pilgrims, and may have powers that no one in either world yet understands, and soon the wall may be broken. What will enter from the other side?
“Lord Scott Oken, a prince of Albion, and Professor-Prince Mikel Mabruke live in a world where the sun never set on the Egyptian Empire. In the year 1877 of Our Lord Julius Caesar, Pharaoh Djoser-George governs a sprawling realm that spans Europe, Africa, and much of Asia. When the European terrorist Otto von Bismarck touches off an international conspiracy, Scott and Mik are charged with exposing the plot against the Empire.
Their adventure takes them from the sands of Memphis to a lush New World, home of the Incan Tawantinsuyu, a rival empire across the glittering Atlantic Ocean. Encompassing Quetzal airships, operas, blood sacrifice and high diplomacy, Ramona Wheeler’s Three Princes is a richly imagined, cinematic vision of a modern Egyptian Empire.”
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